As a Video Editor Intern at Biasly, I worked on a variety of video projects aimed at refining my editing techniques and enhancing content quality. My role involved collaborating remotely, incorporating feedback effectively, and meeting project deadlines to support Biasly’s branding goals. I completed weekly training sessions to build upon my skills in Adobe Premiere Pro, After Effects, and other post-production tools, allowing me to deliver polished and engaging visual content for YouTube. This experience has deepened my proficiency in video storytelling, technical editing, and project management.
The Rise of Media Bias at The New York Times: A 172-Year Journey
With the provided script and some assets, I handled all aspects of post-production, including editing, motion graphics, sound design, asset sourcing, and final delivery for YouTube. I independently sourced all copyright-free visual and audio elements and led the creative vision from rough cut to final export.
NewsNation: Is it Biased? A Review of Its Story & History
Using the provided script, I supplied additional visual assets and enhanced the voice-over audio before handing the project off to another editor for final edits.
full videos below
The Witcher 3 Death March in Real Life (2022)
Directed / Produced / Edited
personal project
Fake Movie Trailer (2021)
Directed / Produced / Edited
school project
sigma rocks! (2023)
Edited
personal project
Interactive Storytelling & Adaptation - The Last of Us Video Essay (2023)
Edited / Scripted
school project
This multimedia installation explored the theme of environmental transformation, focusing on plastic pollution in oceans. The piece featured:
A rotating piece of transparent plastic suspended from the ceiling, acting as both a focal point and a lens for video projection.
A video projection showing footage of garbage floating in ocean waves, captured at Governor's Island in New York.
Directional audio of crashing waves, creating an immersive atmosphere.
Key features:
Located in a dark corner of the exhibition space, drawing attention with its light and movement.
The rotating plastic transformed the projected light, creating a lighthouse-like effect.
Simple yet engaging design that conveyed a powerful message about environmental pollution.
This project was part of the IMM470 – Image-Movement-Sound Lab course. The installation was featured in the "Transformation" exhibition, showcasing experimental works that integrate visual, auditory, and movement-based media. (official page)
Development process:
Initially conceptualized as a more complex piece about biomagnification in oceans.
Simplified to focus on a single piece of plastic and curated video footage for feasibility and impact.
Experimented with various materials and projection techniques.
Utilized skills in video editing (Adobe Premiere) and audio production (Audacity).
The installation effectively contributed to the overall exhibition theme of Transformation by highlighting the negative changes in our environment due to pollution. It also demonstrated the transformation of waste (plastic) into an artistic medium, inviting viewers to reflect on environmental issues.